“Hulloa. You’ve got ’em on,” she said. “Tell me,” asked Joan, “am I likely to meet with much of that sort of thing?”!

“And don’t you take any notice of me,” further explained the good woman, “when I seem to be in opposition, like. I chip in now and then on purpose, just to keep the ball rolling. It stirs him up, a bit of contradictoriness. You have to live with a man before you understand him.” The nurse raised the lid. “What a fool I’ve been,” she said. “I never thought of that.”

“He’s clever,” laughed Phillips. “I’d enjoy the fight, if I’d only myself to think of, and life wasn’t so short.” Joan remembered Folk, the artist she had met at Flossie’s party, who had promised to walk with her on the terrace at St. Germain, and tell her more about her mother. She looked up his address on her return home, and wrote to him, giving him the name of the hotel in the Rue de Grenelle where Mrs. Denton had arranged that she should stay. She found a note from him awaiting her when she arrived there. He thought she would like to be quiet after her journey. He would call round in the morning. He had presumed on the privilege of age to send her some lilies. They had been her mother’s favourite flower. “Monsieur Folk, the great artist,” had brought them himself, and placed them in her dressing-room, so Madame informed her. A motor carried them to where the road ended, and from there, a little one-horse ambulance took them on to almost the last trees of the forest. There was no life to be seen anywhere. During the last mile, they had passed through a continuous double line of graves; here and there a group of tiny crosses keeping one another company; others standing singly, looking strangely lonesome amid the torn-up earth and shattered trees. But even these had ceased. Death itself seemed to have been frightened away from this terror-haunted desert.